L’eau Chaude, L’eau Frette

« Forcier only shows characters that cannot be considered only as theatrical patterns. He does not pu them on a great stage where they are saying their contempt for society, shouting their desire to escape. He lifts the lid of a garbage can to let us see inside, and replaces it while we are staring at thehelf-broken things inside that could still have some use. »
Extract from an article of Claude Daigneault about « Bar Salon » in « Le Soleil », March 1st, 1975